Preface

This eBook was produced by Tapio Riikonen

and David Widger

PART THE SECOND.

PROLOGUE TO PART THE SECOND.

The century has advanced. The rush of the deluge has ebbed back; the old landmarks have reappeared; the dynasties Napoleon willed into life have crumbled to the dust; the plough has passed over Waterloo; autumn after autumn the harvests have glittered on that grave of an empire. Through the immense ocean of universal change we look back on the single track which our frail boat has cut through the waste. As a star shines impartially over the measureless expanse, though it seems to gild but one broken line into each eye, so, as our memory gazes on the past, the light spreads not over all the breadth of the waste where nations have battled and argosies gone down,—it falls narrow and confined along the single course we have taken; we lean over the small raft on which we float, and see the sparkles but reflected from the waves that it divides.

On the terrace at Laughton but one step paces slowly. The bride clings not now to the bridegroom's arm. Though pale and worn, it is still the same gentle face; but the blush of woman's love has gone from it evermore.

Charles Vernon (to call him still by the name in which he is best known to us) sleeps in the vault of the St. Johns. He had lived longer than he himself had expected, than his physician had hoped,—lived, cheerful and happy, amidst quiet pursuits and innocent excitements. Three sons had blessed his hearth, to mourn over his grave. But the two elder were delicate and sickly. They did not long survive him, and died within a few months of each other. The third seemed formed of a different mould and constitution from his brethren. To him descended the ancient heritage of Laughton, and he promised to enjoy it long.

It is Vernon's widow who walks alone in the stately terrace; sad still, for she loved well the choice of her youth, and she misses yet the children in the grave. From the date of Vernon's death, she wore mourning without and within; and the sorrows that came later broke more the bruised reed,—sad still, but resigned. One son survives, and earth yet has the troubled hopes and the holy fears of affection. Though that son be afar, in sport or in earnest, in pleasure or in toil, working out his destiny as man, still that step is less solitary than it seems. When does the son's image not walk beside the mother? Though she lives in seclusion, though the gay world tempts no more, the gay world is yet linked to her thoughts. From the distance she hears its murmurs in music. Her fancy still mingles with the crowd, and follows on, to her eye, outshining all the rest. Never vain in herself, she is vain now of another; and the small triumphs of the young and well-born seem trophies of renown to the eyes so tenderly deceived.

In the old-fashioned market-town still the business goes on, still the doors of the bank open and close every moment on the great day of the week; but the names over the threshold are partially changed. The junior partner is busy no more at the desk; not wholly forgotten, if his name still is spoken, it is not with thankfulness and praise. A something rests on the name,—that something which dims and attaints; not proven, not certain, but suspected and dubious. The head shakes, the voice whispers; and the attorney now lives in the solid red house at the verge of the town.

In the vicarage, Time, the old scythe-bearer, has not paused from his work. Still employed on Greek texts, little changed, save that his hair is gray and that some lines in his kindly face tell of sorrows as of years, the vicar sits in his parlour; but the children no longer, blithevoiced and rose-cheeked, dart through the rustling espaliers. Those children, grave men or staid matrons (save one whom Death chose, and therefore now of all best beloved!) are at their posts in the world. The young ones are flown from the nest, and, with anxious wings, here and there, search food in their turn for their young. But the blithe voice and rose-cheek of the child make not that loss which the hearth misses the most. From childhood to manhood, and from manhood to departure, the natural changes are gradual and prepared. The absence most missed is that household life which presided, which kept things in order, and must be coaxed if a chair were displaced. That providence in trifles, that clasp of small links, that dear, bustling agency,—now pleased, now complaining,—dear alike in each change of its humour; that active life which has no self of its own; like the mind of a poet, though its prose be the humblest, transferring self into others, with its right to be cross, and its charter to scold; for the motive is clear,—it takes what it loves too anxiously to heart. The door of the parlour is open, the garden-path still passes before the threshold; but no step now has full right to halt at the door and interrupt the grave thought on Greek texts; no small talk on details and wise sayings chimes in with the wrath of"Medea."The Prudent Genius is gone from the household; and perhaps as the good scholar now wearily pauses, and looks out on the silent garden, he would have given with joy all that Athens produced, from Aeschylus to Plato, to hear again from the old familiar lips the lament on torn jackets, or the statistical economy of eggs.

But see, though the wife is no more, though the children have departed, the vicar's home is not utterly desolate. See, along the same walk on which William soothed Susan's fears and won her consent,—see, what fairy advances? Is it Susan returned to youth? How like! Yet look again, and how unlike! The same, the pure, candid regard; the same, the clear, limpid blue of the eye; the same, that fair hue of the hair,—light, but not auburn; more subdued, more harmonious than that equivocal colour which too nearly approaches to red. But how much more blooming and joyous than Susan's is that exquisite face in which all Hebe smiles forth; how much airier the tread, light with health; how much rounder, if slighter still, the wave of that undulating form! She smiles, her lips move, she is conversing with herself; she cannot be all silent, even when alone, for the sunny gladness of her nature must have vent like a bird's. But do not fancy that that gladness speaks the levity which comes from the absence of thought; it is rather from the depth of thought that it springs, as from the depth of a sea comes its music. See, while she pauses and listens, with her finger half-raised to her lip, as amidst that careless jubilee of birds she hears a note more grave and sustained,—the nightingale singing by day (as sometimes, though rarely, he is heard,—perhaps because he misses his mate; perhaps because he sees from his bower the creeping form of some foe to his race),—see, as she listens now to that plaintive, low-chanted warble, how quickly the smile is sobered, how the shade, soft and pensive, steals over the brow. It is but the mystic sympathy with Nature that bestows the smile or the shade. In that heart lightly moved beats the fine sense of the poet. It is the exquisite sensibility of the nerves that sends its blithe play to those spirits, and from the clearness of the atmosphere comes, warm and ethereal, the ray of that light.

And does the roof of the pastor give shelter to Helen Mainwaring's youth? Has Death taken from her the natural protectors? Those forms which we saw so full of youth and youth's heart in that very spot, has the grave closed on them yet? Yet! How few attain to the age of the Psalmist! Twenty-seven years have passed since that date: how often, in those years, have the dark doors opened for the young as for the old! William Mainwaring died first, careworn and shamebowed; the blot on his name had cankered into his heart. Susan's life, always precarious, had struggled on, while he lived, by the strong power of affection and will; she would not die, for who then could console him? But at his death the power gave way. She lingered, but lingered dyingly, for three years; and then, for the first time since William's death, she smiled: that smile remained on the lips of the corpse. They had had many trials, that young couple whom we left so prosperous and happy. Not till many years after their marriage had one sweet consoler been born to them. In the season of poverty and shame and grief it came; and there was no pride on Mainwaring's brow when they placed his first-born in his arms. By her will, the widow consigned Helen to the joint guardianship of Mr. Fielden and her sister; but the latter was abroad, her address unknown, so the vicar for two years had had sole charge of the orphan. She was not unprovided for. The sum that Susan brought to her husband had been long since gone, it is true,—lost in the calamity which had wrecked William Mainwaring's name and blighted his prospects; but Helen's grandfather, the landagent, had died some time subsequent to that event, and, indeed, just before William's death. He had never forgiven his son the stain on his name,—never assisted, never even seen him since that fatal day; but he left to Helen a sum of about 8,000 pounds; for she, at least, was innocent. In Mr. Fielden's eyes, Helen was therefore an heiress. And who amongst his small range of acquaintance was good enough for her?—not only so richly portioned, but so lovely,—accomplished, too; for her parents had of late years lived chiefly in France, and languages there are easily learned, and masters cheap. Mr. Fielden knew but one, whom Providence had also consigned to his charge,—the supposed son of his old pupil Ardworth; but though a tender affection existed between the two young persons, it seemed too like that of brother and sister to afford much ground for Mr. Fielden's anxiety or hope.

From his window the vicar observed the still attitude of the young orphan for a few moments; then he pushed aside his books, rose, and approached her. At the sound of his tread she woke from her revery and bounded lightly towards him.

"Ah, you would not see me before!"she said, in a voice in which there was the slightest possible foreign accent, which betrayed the country in which her childhood had been passed;"I peeped in twice at the window. I wanted you so much to walk to the village. But you will come now, will you not?"added the girl, coaxingly, as she looked up at him under the shade of her straw hat.

"And what do you want in the village, my pretty Helen?"

"Why, you know it is fair day, and you promised Bessie that you would buy her a fairing,—to say nothing of me."

"Very true, and I ought to look in; it will help to keep the poor people from drinking. A clergyman should mix with his parishioners in their holidays. We must not associate our office only with grief and sickness and preaching. We will go. And what fairing are you to have?"

"Oh, something very brilliant, I promise you! I have formed grand notions of a fair. I am sure it must be like the bazaars we read of last night in that charming'Tour in the East.'"

The vicar smiled, half benignly, half anxiously."My dear child, it is so like you to suppose a village fair must be an Eastern bazaar. If you always thus judge of things by your fancy, how this sober world will deceive you, poor Helen!"

"It is not my fault; ne me grondez pas, mechant,"answered Helen, hanging her head."But come, sir, allow, at least, that if I let my romance, as you call it, run away with me now and then, I can still content myself with the reality. What, you shake your head still? Don't you remember the sparrow?"

"Ha! ha! yes,—the sparrow that the pedlar sold you for a goldfinch; and you were so proud of your purchase, and wondered so much why you could not coax the goldfinch to sing, till at last the paint wore away, and it was only a poor little sparrow!"

"Go on! Confess: did I fret then? Was I not as pleased with my dear sparrow as I should have been with the prettiest goldfinch that ever sang? Does not the sparrow follow me about and nestle on my shoulder, dear little thing? And I was right after all; for if I had not fancied it a goldfinch, I should not have bought it, perhaps. But now I would not change it for a goldfinch,—no, not even for that nightingale I heard just now. So let me still fancy the poor fair a bazaar; it is a double pleasure, first to fancy the bazaar, and then to be surprised at the fair."

"You argue well,"said the vicar, as they now entered the village;"I

really think, in spite of all your turn for poetry and Goldsmith and

Cowper, that you would take as kindly to mathematics as your cousin John

Ardworth, poor lad!

"Not if mathematics have made him so grave, and so churlish, I was going to say; but that word does him wrong, dear cousin, so kind and so rough!"

"It is not mathematics that are to blame if he is grave and absorbed,"said the vicar, with a sigh;"it is the two cares that gnaw most,— poverty and ambition."

"Nay, do not sigh; it must be such a pleasure to feel, as he does, that one must triumph at last!"

"Umph! John must have nearly reached London by this time,"said Mr. Fielden,"for he is a stout walker, and this is the third day since he left us. We ll, now that he is about fairly to be called to the Bar, I hope that his fever will cool, and he will settle calmly to work. I have felt great pain for him during this last visit."

"Pain! But why?"

"My dear, do you remember what I read to you both from Sir William Temple the night before John left us?"

Helen put her hand to her brow, and with a readiness which showed a memory equally quick and retentive, replied,"Yes; was it not to this effect? I am not sure of the exact words:'To have something we have not, and be something we are not, is the root of all evil.'"

"We ll remembered, my darling!"

"Ah, but,"said Helen, archly,"I remember too what my cousin replied:'If Sir William Temple had practised his theory, he would not have been ambassador at the Hague, or—"

"Pshaw! the boy's always ready enough with his answers,"interrupted Mr. Fielden, rather petulantly."The re's the fair, my dear,—more in your way, I see, than Sir William Temple's philosophy."

And Helen was right; the fair was no Eastern bazaar, but how delighted that young, impressionable mind was, notwithstanding,—delighted with the swings and the roundabouts, the shows, the booths, even down to the gilt gingerbread kings and queens! All minds genuinely poetical are peculiarly susceptible to movement,—that is, to the excitement of numbers. If the movement is sincerely joyous, as in the mirth of a village holiday, such a nature shares insensibly in the joy; but if the movement is a false and spurious gayety, as in a state ball, where the impassive face and languid step are out of harmony with the evident object of the scene, then the nature we speak of feels chilled and dejected. Hence it really is that the more delicate and ideal order of minds soon grow inexpressibly weary of the hack routine of what are called fashionable pleasures. Hence the same person most alive to a dance on the green, would be without enjoyment at Almack's. It was not because one scene is a village green, and the other a room in King Street, nor is it because the actors in the one are of the humble, in the others of the noble class; but simply because the enjoyment in the first is visible and hearty, because in the other it is a listless and melancholy pretence. Helen fancied it was the swings and the booths that gave her that innocent exhilaration,—it was not so; it was the unconscious sympathy with the crowd around her. When the poetical nature quits its own dreams for the actual world, it enters and transfuses itself into the hearts and humours of others. The two wings of that spirit which we call Genius are revery and sympathy. But poor little Helen had no idea that she had genius. Whether chasing the butterfly or talking fond fancies to her birds, or whether with earnest, musing eyes watching the stars come forth, and the dark pine-trees gleam into silver; whether with airy daydreams and credulous wonder poring over the magic tales of Mirglip or Aladdin, or whether spellbound to awe by the solemn woes of Lear, or following the blind great bard into"the heaven of heavens, an earthly guest, to draw empyreal air,"—she obeyed but the honest and varying impulse in each change of her pliant mood, and would have ascribed with genuine humility to the vagaries of childhood that prompt gathering of pleasure, that quick-shifting sport of the fancy by which Nature binds to itself, in chains undulating as melody, the lively senses of genius.