THE HOUSEHOLD AT HILLPORT

She was walking, with her customary air of haughty and rapt leisure, across the market-place of Bursley, when she observed in front of her, at the top of Oldcastle Street, two men conversing and gesticulating vehemently, each seated alone in a dog-cart. The se persons, who had met from opposite directions, were her husband, John Stanway, the earthenware manufacturer, and David Dain, the solicitor who practised at Hanbridge. Stanway's cob, always quicker to start than to stop, had been pulled up with difficulty, drawing his cart just clear of the other one, so that the two portly and middle-aged talkers were most uncomfortably obliged to twist their necks in order to see one another; the attitude did nothing to ease the obvious asperity of the discussion. She thought the spectacle undignified and silly; and she marvelled, as all women marvel, that men who conduct themselves so magisterially should sometimes appear so infantile. She felt glad that it was Thursday afternoon, and the shops closed and the streets empty.

Immediately John Stanway caught sight of her he said a few words to the lawyer in a somewhat different key, and descended from his vehicle. As she came up to them Mr. Dain saluted her with bashful abruptness, and her proud face broke as if by the loosing of a spell into a generous and captivating smile; Mr. Dain blushed, the vision was too much for his composure; he moved his horse forward a yard or two, and then jerked it back again, gruffly advising it to stand still. Stanway turned to her bluntly, unceremoniously, as to a creature to whom he owed nothing. She noticed once more how the whole character of his face was changed under annoyance.

'Here, Nora!'he said, speaking with the raw anger of a man with a new-born grievance,'run this home for me. I'm going over to Hanbridge with Mr. Dain.'

'Very well,'she agreed with soothing calmness, and taking the reins she climbed up to the high driving-seat.

'And I say, Nora—Woback!'he flamed out passionately to the impatient cob,'where're your manners, you idiot? I say, Nora, I doubt I shall be late for tea—half-past six. Tell Milly she must be in. The others too.'He gave these instructions in a lower tone, and emphasised them by a stormy and ominous frown. Then with an injured'Now, Dain!'he got into the equipage of his legal adviser and departed towards Hanbridge, trailing clouds of vexation.

Leonora drove smartly but cautiously down the steep slope of Oldcastle Street; she could drive as well as a woman may. A group of clay-soiled girls lounging in the archway of a manufactory exchanged rude but admiring remarks about her as she passed. The paces of the cob, the dazzle of the silver-plated harness, the fine lines of the cart, the unbending mien of the driver, made a glittering cynosure for envy. All around was grime, squalor, servitude, ugliness; the inglorious travail of two hundred thousand people, above ground and below it, filled the day and the night. But here, as it were suddenly, out of that earthy and laborious bed, rose the blossom of luxury, grace, and leisure, the final elegance of the industrial district of the Five Towns. The contrast between Leonora and the rough creatures in the archway, between the

flower and the phosphates which nourished it, was sharp and decisive: and Leonora, in the September sunshine, was well aware of the contrast. She felt that the loud-voiced girls were at one extremity of the scale and she at the other; and this arrangement seemed natural, necessary, inevitable.

She was a beautiful woman. She had a slim perfect figure; quite simply she carried her head so high and her shoulders so square that her back seemed to be hollowed out, and no tightness on the part of a bodice could hide this charming concavity. Her face was handsome with its large regular features; one noticed the abundant black hair under the hat, the thick eyebrows, the brown and opaque skin, the teeth impeccably white, and the firm, unyielding mouth and chin. Underneath the chin, half muffling it, came a white muslin bow, soft, frail, feminate, an enchanting disclaimer of that facial sternness and the masculinity of that tailor-made dress, a signal at once provocative and wistful of the woman. She had brains; they appeared in her keen dark eyes. Her judgment was experienced and mature. She knew her world and its men and women. She was not too soon shocked, not too severe in her verdicts, not the victim of too many illusions. And yet, though everything about her witnessed to a serene temperament and the continual appeasing of mild desires, she dreamed sadly, like the girls in the archway, of an existence more distinguished than her own; an existence brilliant and tender, where dalliance and high endeavour, virtue and the flavour of sin, eternal appetite and eternal satisfaction, were incredibly united. Even now, on her fortieth birthday, she still believed in the possibility of a conscious state of positive and continued happiness, and regretted that she should have missed it.

The imminence and the arrival of this dire birthday, this day of wrath on which the proudest woman will kneel to implacable destiny and beg a reprieve, had induced the reveries natural to it—the self-searching, the exchange of old fallacies for new, the dismayed glance forward, the lingering look behind. Absorbed though she was in the control of the sensitive steed, the field of her mind's eye seemed to be entirely filled by an image of the woman of forty as imagined by herself at the age of twenty. And she was that woman now! But she did not feel like forty; at thirty she had not felt thirty; she could only accept the almanac and the rules of arithmetic. The interminable years of her marriage rolled back, and she was eighteen again, ingenuous and trustful, convinced that her versatile husband was unique among his sex. The fading of a short-lived and factitious passion, the descent of the unique male to the ordinary level of males, the births of her three girls and their rearing and training: all these things seemed as trifles to her, mere excrescences and depressions in the vast tableland of her monotonous and placid career. She had had no career. Her strength of will, of courage, of love, had never been taxed; only her patience.'And my life is over!'she told herself, insisting that her life was over without being able to believe it.

As the dog-cart was crossing the railway bridge at Shawport, at the foot of the rise to Hillport, Leonora overtook her eldest daughter. She drew up. From the height of the dog-cart she looked at her child; and the girlishness of Ethel's form, the self-consciousness of newly-arrived womanhood in her innocent and timid eyes, the virgin richness of her vitality, made Leonora feel sad, superior, and protective.

'Oh, mother! Where's father?'Ethel exclaimed, staring at her, struck with a foolish wonder to see her mother where her father had been an hour before.

'What a schoolgirl she is! And at her age I was a mother twice over!'thought Leonora; but she said aloud:'Jump up quickly, my dear. You know Prince won't stand.'

Ethel obeyed, awkwardly. As she did so the mother scrutinised the rather lanky figure, the long dark skirt, the pale blouse, and the straw hat, in a single glance that missed no detail. Leonora was not quite dissatisfied; Ethel carried herself tolerably, she resembled her mother; she had more distinction than her sisters, but her manner was often lackadaisical.

'Your father was very vexed about something,'said Leonora, when she had recounted the meeting at the top of Oldcastle Street.'Where's Milly?'

'I don't know, mother—I think she went out for a walk.'The girl added apprehensively:'Why?'

'Oh, nothing!'said Leonora, pretending not to observe that Ethel had blushed.'If I were you, Ethel, I should let that belt out one hole... not here, my dear child, not here. When you get home. How was Aunt Hannah?'

Every day one member or another of John Stanway's family had to pay a visit to John's venerable Aunt Hannah, who lived with her brother, the equally venerable Uncle Meshach, in a little house near the parish church of St. Luke's. This was a social rite the omission of which nothing could excuse. On that day it was Ethel who had called.

'Auntie was all right. She was making a lot of parkin, and of course I had to taste it, all new, you know. I'm simply stodged.'

'Don't say"stodged."'

'Oh, mother! You won't let us say anything,'Ethel dismally protested; and Leonora secretly sympathised with the grown woman in revolt.

'Oh! And Aunt Hannah wishes you many happy returns. Uncle Meshach came back from the Isle of Man last night. He gave me a note for you. Here it is.'

'I can't take it now, my dear. Give it me afterwards.'

'I think Uncle Meshach's a horrid old thing!'said Ethel.

'My dear girl! Why?'

'Oh! I do. I'm glad he's only father's uncle and not ours. I do hate that name. Fancy being called Meshach!'

'That isn't uncle's fault, anyhow,'said Leonora.

'You always stick up for him, mother. I believe it's because he flatters you, and says you look younger than any of us.'Ethel's tone was half roguish, half resentful.

Leonora gave a short unsteady laugh. She knew well that her age was plainly written beneath her eyes, at the corners of her mouth, under her chin, at the roots of the hair above her ears, and in her cold, confident gaze. You th! She would have forfeited all her experience, her knowledge, and the charm of her maturity, to recover the irrecoverable! She envied the woman by her side, and envied her because she was lightsome, thoughtless, kittenish, simple, unripe. For a brief moment, vainly coveting the ineffable charm of Ethel's immaturity, she had a sharp perception of the obscure mutual antipathy which separates one generation from the next. As the cob rattled into Hillport, that aristocratic and plutocratic suburb of the town, that haunt of exclusiveness, that retreat of high life and good tone, she thought how commonplace, vulgar, and petty was the opulent existence within those tree-shaded villas, and that she was doomed to droop and die there, while her girls, still unfledged, might, if they had the sense to use their wings, fly away.... Yet at the same time it gratified her to reflect that she and hers were in the picture, and conformed to the standards; she enjoyed the admiration which the sight of herself and Ethel and the expensive cob and cart and accoutrements must arouse in the punctilious and stupid breast of Hillport.

She was picking flowers for the table from the vivid borders of the lawn, when Ethel ran into the garden from the drawing-room. Bran, the St. Bernard, was loose and investigating the turf.

'Mother, the letter from Uncle Meshach.'

Leonora took the soiled envelope, and handing over the flowers to Ethel, crossed the lawn and sat down on the rustic seat, facing the house. The dog followed her, and with his great paw demanded her attention, but she abruptly dismissed him. She thought it curiously characteristic of Uncle Meshach that he should write her a letter on her fortieth birthday; she could imagine the uncouth mixture of wit, rude candour, and wisdom with which he would greet her; his was a strange and sinister personality, but she knew that he admired her. The note was written in Meshach's scraggy and irregular hand, in three lines starting close to the top of half a sheet of note paper. It ran:'Dear Nora, I hear young Twemlow is come back from America. You had better see as your John looks out for himself.'The re was nothing else, no signature.

As she read it, she experienced precisely the physical discomfort which those feel who travel for the first time in a descending lift. Fifteen quiet years had elapsed since the death of her husband's partner William Twemlow, and a quarter of a century since William's wild son, Arthur, had run away to America. Yet Uncle Meshach's letter seemed to invest these far-off things with a mysterious and disconcerting actuality. The misgivings about her husband which long practice and continual effort had taught her how to keep at bay, suddenly overleapt their artificial barriers and swarmed upon her.

The long garden front of the dignified eighteenth-century house, nearly the last villa in Hillport on the road to Oldcastle, was extended before her. She had played in that house as a child, and as a woman had watched, from its windows, the years go by like a procession. That house was her domain. Hers was the supreme intelligence brooding creatively over it. Out of walls and floors and ceilings, out of stairs and passages, out of furniture and woven stuffs, out of metal and earthenware, she had made a home. From the lawn, in the beautiful sadness of the autumn evening, any one might have seen and enjoyed the sight of its high French windows, its glowing sun-blinds, its faintly-tinted and beribboned curtains, its creepers, its glimpses of occasional tables, tall vases, and dressing-mirrors. But Leonora, as she sat holding the letter in her long white hand, could call up and see the interior of every room to the most minute details. She, the housemistress, knew her home by heart. She had thought it into existence; and there was not a cabinet against a wall, not a rug on a floor, not a cushion on a chair, not a knicknack on a mantelpiece, not a plate in a rack, but had come there by the design of her brain. Without possessing much artistic taste, Leonora had an extraordinary talent for domestic equipment, organisation, and management. She was so interested in her home, so exacting in her ideals, that she could never reach finality; the place went through a constant succession of improvements; its comfort and its attractiveness were always on the increase. And the result was so striking that her supremacy in the woman's craft could not be challenged. All Hillport, including her husband, bowed to it. Mrs. Stanway's principles, schemes, methods, even her trifling dodges, were mentioned with deep respect by the ladies of Hillport, who often expressed their astonishment that, although the wheels of Mrs. Stanway's household revolved with perfect smoothness, Mrs. Stanway herself appeared never to be doing anything. That astonishment was Leonora's pride. As her brain marshalled with ease the thousand diverse details of the wonderful domestic machine, she could appreciate, better than any other woman in Hillport, without vanity and without humility, the singular excellence of her gifts and of the organism they had perfected. And now this creation of hers, this complex structure of mellow brick-and-mortar, and fine chattels, and nice and luxurious habit, seemed to Leonora to tremble at the whisper of an enigmatic message from Uncle Meshach. The foreboding caused by the letter mingled with the menace of approaching age and with the sadness of the early autumn, and confirmed her mood.

Millicent, her youngest, ran impulsively to her in the garden. Millicent was eighteen, and the days when she went to school and wore her hair in a long plait were still quite fresh in the girl's mind. For this reason she was often inordinately and aggressively adult.

'Mamma! I'm going to have my tea first thing. The Burgesses have asked me to play tennis. I needn't wait, need I? It gets dark so soon.'As Millicent stood there, ardently persuasive, she forgot that adult persons do not stand on one leg or put their fingers in their mouths.

Leonora looked fondly at the sprightly girl, vain, self-conscious, and blonde and pretty as a doll in her white dress. She recognised all Millicent's faults and shortcomings, and yet was overcome by the charm of her presence.

'No, Milly, you must wait.'Throned on the rustic seat, inscrutable and tyrannous Leonora, a wistful, wayward atom in the universe, laid her command upon the other wayward atom; and she thought how strange it was that this should be.