Book 1.

I.

My name is Hugh Paret. I was a corporation lawyer, but by no means a typical one, the choice of my profession being merely incidental, and due, as will be seen, to the accident of environment. The book I am about to write might aptly be called The Autobiography of a Romanticist. In that sense, if in no other, I have been a typical American, regarding my country as the happy hunting-ground of enlightened self-interest, as a function of my desires. Whether or not I have completely got rid of this romantic virus I must leave to those the aim of whose existence is to eradicate it from our literature and our life. A somewhat Augean task!

I have been impelled therefore to make an Attempt at setting forth, with what frankness and sincerity I may, with those powers of selection of which I am capable, the life I have lived in this modern America; the passions I have known, the evils I have done. I endeavour to write a biography of the inner life; but in order to do this I shall have to relate those causal experiences of the outer existence that take place in the world of space and time, in the four walls of the home, in the school and university, in the noisy streets, in the realm of business and politics. I shall try to set down, impartially, the motives that have impelled my actions, to reveal in some degree the amazing mixture of good and evil which has made me what I am to-day: to avoid the tricks of memory and resist the inherent desire to present myself other and better than I am. Your American romanticist is a sentimental spoiled child who believes in miracles, whose needs are mostly baubles, whose desires are dreams. Expediency is his motto. Innocent of a knowledge of the principles of the universe, he lives in a state of ceaseless activity, admitting no limitations, impatient of all restrictions. What he wants, he wants very badly indeed. This wanting things was the corner-stone of my character, and I believe that the science of the future will bear me out when I say that it might have been differently built upon. Certain it is that the system of education in vogue in the 70's and 80's never contemplated the search for natural corner-stones.

At all events, when I look back upon the boy I was, I see the beginnings of a real person who fades little by little as manhood arrives and advances, until suddenly I am aware that a stranger has taken his place....

I lived in a city which is now some twelve hours distant from the Atlantic seaboard. A very different city, too, it was in youth, in my grandfather's day and my father's, even in my own boyhood, from what it has since become in this most material of ages.

The re is a book of my photographs, preserved by my mother, which I have been looking over lately. First is presented a plump child of two, gazing in smiling trustfulness upon a world of sunshine; later on a lean boy in plaided kilts, whose wavy, chestnut-brown hair has been most carefully parted on the side by Norah, his nurse. The face is still childish. Then appears a youth of fourteen or thereabout in long trousers and the queerest of short jackets, standing beside a marble table against a classic background; he is smiling still in undiminished hope and trust, despite increasing vexations and crossings, meaningless lessons which had to be learned, disciplines to rack an Aspiring soul, and long, uncomfortable hours in the stiff pew of the First Presbyterian Church. Associated with this torture is a peculiar Sunday smell and the faint rustling of silk dresses. I can see the stern black figure of Dr. Pound, who made interminable statements to the Lord.

"Oh, Lord,"I can hear him say,"thou knowest..."

The se pictures, though yellowed and faded, suggest vividly the being I once was, the feelings that possessed and animated me, love for my playmates, vague impulses struggling for expression in a world forever thwarting them. I recall, too, innocent dreams of a future unidentified, dreams from which I emerged vibrating with an energy that was lost for lack of a definite objective: yet it was constantly being renewed. I often wonder what I might have become if it could have been harnessed, directed! Speculations are vain. Calvinism, though it had begun to make compromises, was still a force in those days, inimical to spontaneity and human instincts. And when I think of Calvinism I see, not Dr. Pound, who preached it, but my father, who practised and embodied it. I loved him, but he made of righteousness a stern and terrible thing implying not joy, but punishment, the suppression rather than the expansion of aspirations. His religion seemed woven all of austerity, contained no shining threads to catch my eye. Dreams, to him, were matters for suspicion and distrust.

I sometimes ask myself, as I gaze upon his portrait now, the duplicate of the one painted for the Bar Association, whether he ever could have felt the secret, hot thrills I knew and did not identify with religion. His religion was real to him, though he failed utterly to make it comprehensible to me. The apparent calmness, evenness of his life awed me. A successful lawyer, a respected and trusted citizen, was he lacking somewhat in virility, vitality? I cannot judge him, even to-day. I never knew him. The re were times in my youth when the curtain of his unfamiliar spirit was withdrawn a little: and once, after I had passed the crisis of some childhood disease, I awoke to find him bending over my bed with a tender expression that surprised and puzzled me.

He was well educated, and from his portrait a shrewd observer might divine in him a genteel taste for literature. The fine features bear witness to the influence of an American environment, yet suggest the intellectual Englishman of Matthew Arnold's time. The face is distinguished, ascetic, the chestnut hair lighter and thinner than my own; the side whiskers are not too obtrusive, the eyes blue-grey. The re is a large black cravat crossed and held by a cameo pin, and the coat has odd, narrow lapels. His habits of mind were English, although he harmonized well enough with the manners and traditions of a city whose inheritance was Scotch-Irish; and he invariably drank tea for breakfast. One of my earliest recollections is of the silver breakfast service and egg-cups which my great-grandfather brought with him from Sheffield to Philadelphia shortly after the Revolution. His son, Dr. Hugh Moreton Paret, after whom I was named, was the best known physician of the city in the decorous, Second Bank days.

My mother was Sarah Breck. Hers was my Scotch-Irish side. Old Benjamin Breck, her grandfather, undaunted by sea or wilderness, had come straight from Belfast to the little log settlement by the great river that mirrored then the mantle of primeval forest on the hills. So much for chance. He kept a store with a side porch and square-paned windows, where hams and sides of bacon and sugar loaves in blue glazed paper hung beside ploughs and calico prints, barrels of flour, of molasses and rum, all of which had been somehow marvellously transported over the passes of those forbidding mountains,—passes we blithely thread to-day in dining cars and compartment sleepers. Behind the store were moored the barges that floated down on the swift current to the Ohio, carrying goods to even remoter settlements in the western wilderness.

Benjamin, in addition to his emigrant's leather box, brought with him some of that pigment that was to dye the locality for generations a deep blue. I refer, of course, to his Presbyterianism. And in order the better to ensure to his progeny the fastness of this dye, he married the granddaughter of a famous divine, celebrated in the annals of New England,—no doubt with some injustice,—as a staunch advocate on the doctrine of infant damnation. My cousin Robert Breck had old Benjamin's portrait, which has since gone to the Kinley's. Heaven knows who painted it, though no great art were needed to suggest on canvas the tough fabric of that sitter, who was more Irish than Scotch. The heavy stick he holds might, with a slight stretch of the imagination, be a blackthorn; his head looks capable of withstanding many blows; his hand of giving many. And, as I gazed the other day at this picture hanging in the shabby suburban parlour, I could only contrast him with his anaemic descendants who possessed the likeness. Between the children of poor Mary Kinley,—Cousin Robert's daughter, and the hardy stock of the old country there is a gap indeed!

Benjamin Breck made the foundation of a fortune. It was his son who built on the Second Bank the wide, corniced mansion in which to house comfortably his eight children. The re, two tiers above the river, lived my paternal grandfather, Dr. Paret, the Breck's physician and friend; the Durretts and the Hambletons, iron-masters; the Hollisters, Sherwins, the McAlerys and Ewanses,—Breck connections,—the Willetts and Ogilvys; in short, everyone of importance in the days between the'thirties and the Civil War. The irs were generous houses surrounded by shade trees, with glorious back yards—I have been told—where apricots and pears and peaches and even nectarines grew.

The business of Breck and Company, wholesale grocers, descended to my mother's first cousin, Robert Breck, who lived at Claremore. The very sound of that word once sufficed to give me a shiver of delight; but the Claremore I knew has disappeared as completely as Atlantis, and the place is now a suburb (hateful word!) cut up into building lots and connected with Boyne Street and the business section of the city by trolley lines. Then it was"the country,"and fairly saturated with romance. Cousin Robert, when he came into town to spend his days at the store, brought with him some of this romance, I had almost said of this aroma. He was no suburbanite, but rural to the backbone, professing a most proper contempt for dwellers in towns.

Every summer day that dawned held Claremore as a possibility. And such was my capacity for joy that my appetite would depart completely when I heard my mother say, questioningly and with proper wifely respect—

"If you're really going off on a business trip for a day or two, Mr. Paret"(she generally addressed my father thus formally),"I think I'll go to Robert's and take Hugh."

"Shall I tell Norah to pack, mother,"I would exclaim, starting up.

"We'll see what your father thinks, my dear."

"Remain at the table until you are excused, Hugh,"he would say.

Released at length, I would rush to Norah, who always rejoiced with me, and then to the wire fence which marked the boundary of the Peters domain next door, eager, with the refreshing lack of consideration characteristic of youth, to announce to the Peterses—who were to remain at home the news of my good fortune. The re would be Tom and Alfred and Russell and Julia and little My ra with her grass-stained knees, faring forth to seek the adventures of a new day in the shady western yard. My ra was too young not to look wistful at my news, but the others pretended indifference, seeking to lessen my triumph. And it was Julia who invariably retorted"We can go out to Uncle Jake's farm whenever we want to. Can't we, Tom?"...

No journey ever taken since has equalled in ecstasy that leisurely trip of thirteen miles in the narrow-gauge railroad that wound through hot fields of nodding corn tassels and between delicious, acrid-smelling woods to Claremore. No silent palace"sleeping in the sun,"no edifice decreed by Kubla Khan could have worn more glamour than the house of Cousin Robert Breck.

It stood half a mile from the drowsy village, deep in its own grounds amidst lawns splashed with shadows, with gravel paths edged—in barbarous fashion, if you please with shells. The re were flower beds of equally barbarous design; and two iron deer, which, like the figures on Keats's Grecian urn, were ever ready poised to flee,—and yet never fled. For Cousin Robert was rich, as riches went in those days: not only rich, but comfortable. Stretching behind the house were sweet meadows of hay and red clover basking in the heat, orchards where the cows cropped beneath the trees, arbours where purple clusters of Concords hung beneath warm leaves: there were woods beyond, into which, under the guidance of Willie Breck, I made adventurous excursions, and in the autumn gathered hickories and walnuts. The house was a rambling, wooden mansion painted grey, with red scroll-work on its porches and horsehair furniture inside. Oh, the smell of its darkened interior on a midsummer day! Like the flavour of that choicest of tropical fruits, the mangosteen, it baffles analysis, and the nearest I can come to it is a mixture of matting and corn-bread, with another element too subtle to define.

The hospitality of that house! One would have thought we had arrived, my mother and I, from the ends of the earth, such was the welcome we got from Cousin Jenny, Cousin Robert's wife, from Mary and Helen with the flaxen pig-tails, from Willie, whom I recall as permanently without shoes or stockings. Met and embraced by Cousin Jenny at the station and driven to the house in the squeaky surrey, the moment we arrived she and my mother would put on the dressing-sacks I associated with hot weather, and sit sewing all day long in rocking-chairs at the coolest end of the piazza. The women of that day scorned lying down, except at night, and as evening came on they donned starched dresses; I recall in particular one my mother wore, with little vertical stripes of black and white, and a full skirt. And how they talked, from the beginning of the visit until the end! I have often since wondered where the topics came from.

It was not until nearly seven o'clock that the train arrived which brought home my Cousin Robert. He was a big man; his features and even his ample moustache gave a disconcerting impression of rugged integrity, and I remember him chiefly in an Alpaca or seersucker coat. Though much less formal, more democratic—in a word—than my father, I stood in awe of him for a different reason, and this I know now was because he possessed the penetration to discern the flaws in my youthful character,—flaws that persisted in manhood. None so quick as Cousin Robert to detect deceptions which were hidden from my mother.

His hobby was carpentering, and he had a little shop beside the stable filled with shining tools which Willie and I, in spite of their attractions, were forbidden to touch. Willie, by dire experience, had learned to keep the law; but on one occasion I stole in alone, and promptly cut my finger with a chisel. My mother and Cousin Jenny accepted the fiction that the injury had been done with a flint arrowhead that Willie had given me, but when Cousin Robert came home and saw my bound hand and heard the story, he gave me a certain look which sticks in my mind.

"Wonderful people, those Indians were!"he observed."They could make arrowheads as sharp as chisels."

I was most uncomfortable....

He had a strong voice, and spoke with a rising inflection and a marked accent that still remains peculiar to our locality, although it was much modified in my mother and not at all noticeable in my father; with an odd nasal alteration of the burr our Scotch-Irish ancestors had brought with them across the seas. For instance, he always called my father Mr. Par-r-ret. He had an Admiration and respect for him that seemed to forbid the informality of"Matthew."It was shared by others of my father's friends and relations.