THE DOCTOR'S GIG

One lovely spring morning—and this story begins on a spring morning some fifty years or more ago—a joy of a morning that made one glad to be alive, when the radiant sunshine had turned the ribbon of a road that ran from Warehold village to Barnegat Light and the sea to satin, the wide marshes to velvet, and the belts of stunted pines to bands of purple—on this spring morning, then, Martha Sands, the Cobdens'nurse, was out with her dog Meg. She had taken the little beast to the inner beach for a bath—a custom of hers when the weather was fine and the water not too cold—and was returning to Warehold by way of the road, when, calling the dog to her side, she stopped to feast her eyes on the picture unrolled at her feet.

To the left of where she stood curved the coast, glistening like a scimitar, and the strip of yellow beach which divided the narrow bay from the open sea; to the right, thrust out into the sheen of silver, lay the spit of sand narrowing the inlet, its edges scalloped with lace foam, its extreme point dominated by the grim tower of Barnegat Light; aloft, high into the blue, soared the gulls, flashing like jewels as they lifted their breasts to the sun, while away and beyond the sails of the fishing-boats, gray or silver in their shifting tacks, crawled over the wrinkled sea.

The glory of the landscape fixed in her mind, Martha gathered her shawl about her shoulders, tightened the strings of her white cap, smoothed out her apron, and with the remark to Meg that he'd"never see nothin'so beautiful nor so restful,"resumed her walk.

They were inseparable, these two, and had been ever since the day she had picked him up outside the tavern, half starved and with a sore patch on his back where some kitchen-maid had scalded him. Somehow the poor outcast brought home to her a sad page in her own history, when she herself was homeless and miserable, and no hand was stretched out to her. So she had coddled and fondled him, gaining his confidence day by day and talking to him by the hour of whatever was uppermost in her mind.

Few friendships presented stronger contrasts: She stout and motherly-looking—too stout for any waistline—with kindly blue eyes, smooth gray hair—gray, not white—her round, rosy face, framed in a cotton cap, aglow with the freshness of the morning—a comforting, coddling-up kind of woman of fifty, with a low, crooning voice, gentle fingers, and soft, restful hollows about her shoulders and bosom for the heads of tired babies; Meg thin, rickety, and sneak-eyed, with a broken tail that hung at an Angle, and but one ear (a black-and-tan had ruined the other)—a sandy-colored, rough-haired, good-for-nothing cur of multifarious lineage, who was either crouching at her feet or in full cry for some hole in a fence or rift in a wood-pile where he could flatten out and sulk in safety.

Martha continued her talk to Meg. While she had been studying the landscape he had taken the opportunity to wallow in whatever came first, and his wet hair was bristling with sand and matted with burrs.

"Come here, Meg—you measly rascal!"she cried, stamping her foot."Come here, I tell ye!"

The dog crouched close to the ground, waited until Martha was near enough to lay her hand upon him, and then, with a backward spring, darted under a bush in full blossom.

"Look at ye now!"she shouted in a commanding tone."'Tain't no use o'my washin'ye. Ye're full o'thistles and jest as dirty as when I throwed ye in the water. Come out o'that, I tell ye! Now, Meg, darlin'"—this came in a coaxing tone—"come out like a good dog—sure I'm not goin'in them brambles to hunt ye!"

A clatter of hoofs rang out on the morning air. A two-wheeled gig drawn by a well-groomed sorrel horse and followed by a brown-haired Irish setter was approaching. In it sat a man of thirty, dressed in a long, mouse-colored surtout with a wide cape falling to the shoulders. On his head was a soft gray hat and about his neck a white scarf showing above the lapels of his coat. He had thin, shapely legs, a flat waist, and square shoulders, above which rose a clean-shaven face of singular sweetness and refinement.

At the sound of the wheels the tattered cur poked his head from between the blossoms, twisted his one ear to catch the sound, and with a side-spring bounded up the road toward the setter.

"We ll, I declare, if it ain't Dr. John Cavendish and Rex!"Martha exclaimed, raising both hands in welcome as the horse stopped beside her."Good-mornin'to ye, Doctor John. I thought it was you, but the sun blinded me, and I couldn't see. And ye never saw a better nor a brighter mornin'. The se spring days is all blossoms, and they ought to be. Where ye goin', anyway, that ye're in such a hurry? Ain't nobody sick up to Cap'n Holt's, be there?"she added, a shade of anxiety crossing her face.

"No, Martha; it's the dressmaker,"answered the doctor, tightening the reins on the restless sorrel as he spoke. The voice was low and kindly and had a ring of sincerity through it.

"What dressmaker?"

"Why, Miss Gossaway!"His hand was extended now—that fine, delicately wrought, sympathetic hand that had soothed so many aching heads.

"You've said it,"laughed Martha, leaning over the wheel so as to press his fingers in her warm palm."The re ain't no doubt'bout that skinny fright being'Miss,'and there ain't no doubt'bout her stayin'so. Ann Gossaway she is, and Ann Gossaway she'll die. Is she took bad?"she continued, a merry, questioning look lighting up her kindly face, her lips pursed knowingly.

"No, only a sore throat"the doctor replied, loosening his coat.

"Throat!"she rejoined, with a wry look on her face."Too bad'twarn't her tongue. If ye could snip off a bit o'that some day it would help folks considerable'round here."

The doctor laughed in answer, dropped the lines over the dashboard and leaned forward in his seat, the sun lighting up his clean-cut face. Busy as he was—and there were few busier men in town, as every hitching-post along the main street of Warehold village from Billy Tatham's, the driver of the country stage, to Captain Holt's, could prove—he always had time for a word with the old nurse.

"And where have YOU been, Mistress Martha?"he asked, with a smile, dropping his whip into the socket, a sure sign that he had a few more minutes to give her.

"Oh, down to the beach to git some o'the dirt off Meg. Look at him—did ye ever see such a rapscallion! Every time I throw him in he's into the sand ag'in wallowin'before I kin git to him."

The doctor bent his head, and for an instant watched the two dogs: Meg circling about Rex, all four legs taut, his head jerking from side to side in his eagerness to be agreeable to his roadside acquaintance; the agate-eyed setter returning Meg's attentions with the stony gaze of a club swell ignoring a shabby relative. The doctor smiled thoughtfully. The re was nothing he loved to study so much as dogs—they had a peculiar humor of their own, he often said, more enjoyable sometimes than that of men—then he turned to Martha again.

"And why are you away from home this morning of all others?"he asked."I thought Miss Lucy was expected from school to-day?"

"And so she is, God bless her! And that's why I'm here. I was that restless I couldn't keep still, and so I says to Miss Jane,'I'm goin'to the beach with Meg and watch the ships go by; that's the only thing that'll quiet my nerves. They're never in a hurry with everybody punchin'and haulin'them.'Not that there's anybody doin'that to me,'cept like it is to-day when I'm waitin'for my blessed baby to come back to me. Two years, doctor—two whole years since I had my arms round her. Wouldn't ye think I'd be nigh crazy?"

"She's too big for your arms now, Martha,"laughed the doctor, gathering up his reins."She's a woman—seventeen, isn't she?"

"Seventeen and three months, come the fourteenth of next July. But she's not a woman to me, and she never will be. She's my wee bairn that I took from her mother's dyin'arms and nursed at my own breast, and she'll be that wee bairn to me as long as I live. Ye'll be up to see her, won't ye, doctor?"

"Yes, to-night. How's Miss Jane?"As he made the inquiry his eyes kindled and a slight color suffused his cheeks.

"She'll be better for seein'ye,"the nurse answered with a knowing look. Then in a louder and more positive tone,"Oh, ye needn't stare so with them big brown eyes o'yourn. Ye can't fool old Martha, none o'you young people kin. Ye think I go round with my eyelids sewed up. Miss Jane knows what she wants—she's proud, and so are you; I never knew a Cobden nor a Cavendish that warn't. I haven't a word to say—it'll be a good match when it comes off. Where's that Meg? Good-by, doctor. I won't keep ye a minute longer from MISS Gossaway. I'm sorry it ain't her tongue, but if it's only her throat she may get over it. Go'long, Meg!"

Dr. Cavendish laughed one of his quiet laughs—a laugh that wrinkled the lines about his eyes, with only a low gurgle in his throat for accompaniment, picked up his whip, lifted his hat in mock courtesy to the old nurse, and calling to Rex, who, bored by Meg's attentions, had at last retreated under the gig, chirruped to his horse, and drove on.

Martha watched the doctor and Rex until they were out of sight, walked on to the top of the low hill, and finding a seat by the roadside—her breath came short these warm spring days—sat down to rest, the dog stretched out in her lap. The little outcast had come to her the day Lucy left Warehold for school, and the old nurse had always regarded him with a certain superstitious feeling, persuading herself that nothing would happen to her bairn as long as this miserable dog was well cared for.

"Ye heard what Doctor John said about her bein'a woman, Meg?"she crooned, when she had caught her breath."And she with her petticoats up to her knees! That's all he knows about her. Ye'd know better than that, Meg, wouldn't ye—if ye'd seen her grow up like he's done? But grown up or not, Meg"—here she lifted the dog's nose to get a clearer view of his sleepy eyes—"she's my blessed baby and she's comin'home this very day, Meg, darlin'; d'ye hear that, ye little ruffian? And she's not goin'away ag'in, never, never. The re'll be nobody drivin'round in a gig lookin'after her—nor nobody else as long as I kin help it. Now git up and come along; I'm that restless I can't sit still,"and sliding the dog from her lap, she again resumed her walk toward Warehold.

Soon the village loomed in sight, and later on the open gateway of"Yardley,"the old Cobden Manor, with its two high brick posts topped with white balls and shaded by two tall hemlocks, through which could be seen a level path leading to an old colonial house with portico, white pillars supporting a balcony, and a sloping roof with huge chimneys and dormer windows.

Martha quickened her steps, and halting at the gate-posts, paused for a moment with her eyes up the road. It was yet an hour of the time of her bairn's arrival by the country stage, but her impatience was such that she could not enter the path without this backward glance. Meg, who had followed behind his mistress at a snail's pace, also came to a halt and, as was his custom, picked out a soft spot in the road and sat down on his haunches.

Suddenly the dog sprang up with a quick yelp and darted inside the gate. The next instant a young girl in white, with a wide hat shading her joyous face, jumped from behind one of the big hemlocks and with a cry pinioned Martha's arms to her side.

"Oh, you dear old thing, you! where have you been? Didn't you know I was coming by the early stage?"she exclaimed in a half-querulous tone.

The old nurse disengaged one of her arms from the tight clasp of the girl, reached up her hand until she found the soft cheek, patted it gently for an instant as a blind person might have done, and then reassured, hid her face on Lucy's shoulder and burst into tears. The joy of the surprise had almost stopped her breath.

"No, baby, no,"she murmured."No, darlin', I didn't. I was on the beach with Meg. No, no—Oh, let me cry, darlin'. To think I've got you at last. I wouldn't have gone away, darlin', but they told me you wouldn't be here till dinner-time. Oh, darlin', is it you? And it's all true, isn't it? and ye've come back to me for good? Hug me close. Oh, my baby bairn, my little one! Oh, you precious!"and she nestled the girl's head on her bosom, smoothing her cheek as she crooned on, the tears running down her cheeks.

Before the girl could reply there came a voice calling from the house:"Isn't she fine, Martha?"A woman above the middle height, young and of slender figure, dressed in a simple gray gown and without her hat, was stepping from the front porch to meet them.

"Too fine, Miss Jane, for her old Martha,"the nurse called back."I've got to love her all over again. Oh, but I'm that happy I could burst meself with joy! Give me hold of your hand, darlin'—I'm afraid I'll lose ye ag'in if ye get out of reach of me."

The two strolled slowly up the path to meet Jane, Martha patting the girl's arm and laying her cheek against it as she walked. Meg had ceased barking and was now sniffing at Lucy's skirts, his bent tail wagging slowly, his sneaky eyes looking up into Lucy's face.

"Will he bite, Martha?"she asked, shrinking to one side. She had an Aversion to anything physically imperfect, no matter how lovable it might be to others. This tattered example struck her as particularly objectionable.

"No, darlin'—nothin''cept his food,"and Martha laughed.

"What a horrid little beast!"Lucy said half aloud to herself, clinging all the closer to the nurse."This isn't the dog sister Jane wrote me about, is it? She said you loved him dearly—you don't, do you?"

"Yes, that's the same dog. You don't like him, do you, darlin'?"

"No, I think he's awful,"retorted Lucy in a positive tone.

"It's all I had to pet since you went away,"Martha answered apologetically.

"We ll, now I'm home, give him away, please. Go away, you dreadful dog!"she cried, stamping her foot as Meg, now reassured, tried to jump upon her.

The dog fell back, and crouching close to Martha's side raised his eyes appealingly, his ear and tail dragging.

Jane now joined them. She had stopped to pick some blossoms for the house.

"Why, Lucy, what's poor Meg done?"she asked, as she stooped over and stroked the crestfallen beast's head."Poor old doggie—we all love you, don't we?"

"We ll, just please love him all to yourselves, then,"retorted Lucy with a toss of her head."I wouldn't touch him with a pair of tongs. I never saw anything so ugly. Get away, you little brute!"

"Oh, Lucy, dear, don't talk so,"replied the older sister in a pitying tone."He was half starved when Martha found him and brought him home—and look at his poor back—"

"No, thank you; I don't want to look at his poor back, nor his poor tail, nor anything else poor about him. And you will send him away, won't you, like a dear good old Martha?"she added, patting Martha's shoulder in a coaxing way. Then encircling Jane's waist with her arm, the two sisters sauntered slowly back to the house.