A Kentucky Cardinal: A Story · 第 1 章
Section (Part 1)
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1850 . , . , . , . . , sweet—as life—and ; . , , . . , . , , . , , .
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, , , , , sad—the , , , . . . , , , . , , .
, , , , , , , . , , . . . , . , town—to . . , , . , , , . , , .
, . , . . ; , , , . road—a , . . . , . , , . , . .
. , , . , . . ! . . . .
, , , , . !
. , sang—sang afternoon—in . , , . ; , .
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, way—which, , . . , , , , . , , , , die—who knows?—in .
, . , , . . , , of"Lalla "; , Thomson's"Seasons,"after . , , . ; .
. . , words—the . , . , , . , ; . fallen—snows , . , . , ; . . , ? ? , , , , , . , , , evergreens—nature's ? , , , ; , ; ; . . . ! , . , , , background—blues, , , .
him—proud, land—the . . , , , , , , , .
. . , , . , , , , . , , , . . , ; , , , ; ; , , . , , , , . . , . , , , , , . , , , , , , . , , , ? , . , , , : .. .. .. .. Peace..!—the .
, , , , . . ; , .
. , , , . , , , , . , , ? ? , , Fowler—gone , , , , , , , , .
. , , , . , , , , . . , , , . , . ! , ! , , , . , , ; , , joyfully,"Now, , again!"This , , . , , , , . , , .
. . . , , . , nose—that ?
. , . . . .
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. , , , , . , ? . . .
. . , , Henderson—named 1775 , , , , . , . . . , . . world—unless, , . ! ! . .
, , urgent—this , . . , . , , ? , , ?
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, , ! , , , , ?
, hear—the , . . . , saying,"We lcome—go !"
. , , , . , . , , , , . , . ; , , . , , , , . , , , , . , , . . , , . ; ; ; , , ; , . , , , ; , pear-time—after , .
, , , ; , . , , . , , , , .
. , , , , . , , . ; . , . . . , . , , . , .
. ; , , , , . , . , . , . . , , . , , . . hedges—indeed, barn-yard—there .
, . , , , me,"Hello! , for?""You , mine,"I answer."You ; twenty-five!"He . , .
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one—there's ! . , , , , , !
come—mother, , . ; , , , . ; ; , ; . , , .
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"Are ?"
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"Don't , ?"
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"Nevertheless, . ."
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"Does ?"
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"But ."
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"What , ? ?"
"Adam ."
"Such , , ! . ?"
"Whatever ."
"You , . ?"
"Birds—red-birds. ?"
"Red-birds! ? ?"
"He , , ."
"What ? ?"
"He ."
"Indeed! , , ?"
"He ; ."
"Poor ! . ? , , ?"
"He ."
"And ?"
"He , ."
"Thirty? . ! ?"
"I !"
"You! ! ! ! , ?"
"Adam."
"Two ! ? ."
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"I Moss,"I , politeness."You ."
quick"Oh!"and , . ; . : ?
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. ; , , : , here—butterflies, , , , everything—is ; .
, , . . ; scene—the , , , , , , , , , , , , return—I . , , . , , . . , . , ; ; , , .
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, , , . , , , shouting,"Keep , , hurt!"And, , .
, , , : , , out:"Here , ! yourselves!"So . ; , .
, , . , , , . , . , . , . , , . , ; . , . .
, , . , , , , , . , , , . , , slate-pencil—for Divisor—and , warningly,"You ; , ."
"Who , Sylvia?"I , .
"Don't ?"
"You , ."
"I ; ."
"If , ,
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"You . . ! ."
"Did ?"
"No; . other,'It's . .'"
"And ?"
"She . , . , . . . , , , ."
"But , ."