AN OLD SOLDIER

THE WIDOW'S RETINUE.

READY-MONEY JACK.

BACHELORS.

WIVES.

STORY TELLING.

THE STOUT GENTLEMAN.

FOREST TREES.

A LITERARY ANTIQUARY.

THE FARM-HOUSE.

HORSEMANSHIP.

LOVE SYMPTOMS.

FALCONRY.

HAWKING.

ST. MARK'S EVE.

GENTILITY.

FORTUNE-TELLING.

LOVE-CHARMS.

THE LIBRARY.

THE STUDENT OF SALAMANCA.

BRACEBRIDGE HALL;

ENGLISH COUNTRY GENTLEMEN.

A BACHELOR'S CONFESSIONS.

ENGLISH GRAVITY.

GIPSIES.

MAY-DAY CUSTOMS.

VILLAGE WORTHIES.

THE SCHOOLMASTER.

THE SCHOOL.

A VILLAGE POLITICIAN.

THE ROOKERY.

MAY-DAY.

THE MANUSCRIPT.

ANNETTE DELARBRE.

TRAVELLING.

POPULAR SUPERSTITIONS.

THE CULPRIT.

FAMILY MISFORTUNES.

LOVERS'TROUBLES.

THE HISTORIAN.

THE HAUNTED HOUSE.

DOLPH HEYLIGER.

THE STORM-SHIP.

THE WEDDING.

THE AUTHOR'S FAREWELL.

BRACEBRIDGE HALL; OR, THE HUMOURISTS

A MEDLEY.

Under this cloud I walk, Gentlemen; pardon my rude assault. I am a

traveller who, having surveyed most of the terrestrial angles of

this globe, am hither arrived, to peruse this little spot.

—CHRISTMAS ORDINARY.

THE AUTHOR.

WORTHY READER!

On again taking pen in hand, I would fain make a few observations at the outset, by way of bespeaking a right understanding. The volumes which I have already published have met with a reception far beyond my most sanguine expectations. I would willingly attribute this to their intrinsic merits; but, in spite of the vanity of authorship, I cannot but be sensible that their success has, in a great measure, been owing to a less flattering cause. It has been a matter of marvel, to my European readers, that a man from the wilds of America should express himself in tolerable English. I was looked upon as something new and strange in literature; a kind of demi-savage, with a feather in his hand, instead of on his head; and there was a curiosity to hear what such a being had to say about civilized society.

This novelty is now at an end, and of course the feeling of indulgence which it produced. I must now expect to bear the scrutiny of sterner criticism, and to be measured by the same standard with contemporary writers; and the very favor which has been shown to my previous writings, will cause these to be treated with the greater rigour; as there is nothing for which the world is apt to punish a man more severely, than for having been over-praised. On this head, therefore, I wish to forestall the censoriousness of the reader; and I entreat he will not think the worse of me for the many injudicious things that may have been said in my commendation.

I am aware that I often travel over beaten ground, and treat of subjects that have already been discussed by abler pens. Indeed, various authors have been mentioned as my models, to whom I should feel flattered if I thought I bore the slightest resemblance; but in truth I write after no model that I am conscious of, and I write with no idea of imitation or competition. In venturing occasionally on topics that have already been almost exhausted by English authors, I do it, not with the presumption of challenging a comparison, but with the hope that some new interest may be given to such topics, when discussed by the pen of a stranger.

If, therefore, I should sometimes be found dwelling with fondness on subjects that are trite and commonplace with the reader, I beg that the circumstances under which I write may be kept in recollection. Having been born and brought up in a new country, yet educated from infancy in the literature of an old one, my mind was early filled with historical and poetical associations, connected with places, and manners, and customs of Europe; but which could rarely be applied to those of my own country. To a mind thus peculiarly prepared, the most ordinary objects and scenes, on arriving in Europe, are full of strange matter and interesting novelty. England is as classic ground to an American as It aly is to an Englishman; and old London teems with as much historical association as mighty Rome.

Indeed, it is difficult to describe the whimsical medley of ideas that throng upon his mind, on landing among English scenes. He, for the first time, sees a world about which he has been reading and thinking in every stage of his existence. The recollected ideas of infancy, youth, and manhood; of the nursery, the school, and the study, come swarming at once upon him; and his attention is distracted between great and little objects; each of which, perhaps, awakens an equally delightful train of remembrances.

But what more especially attracts his notice, are those peculiarities which distinguish an old country and an old state of society from a new one. I have never yet grown familiar enough with the crumbling monuments of past ages, to blunt the intense interest with which I at first beheld them. Accustomed always to scenes where history was, in a manner, in anticipation; where every thing in art was new and progressive, and pointed to the future rather than to the past; where, in short, the works of man gave no ideas but those of young existence, and prospective improvement; there was something inexpressibly touching in the sight of enormous piles of architecture, gray with antiquity, and sinking into-decay. I cannot describe the mute but deep-felt enthusiasm with which I have contemplated a vast monastic ruin, like Tintern Abbey, buried in the bosom of a quiet valley, and shut up from the world, as though it had existed merely for itself; or a warrior pile, like Conway Castle, standing in stern loneliness on its rocky height, a mere hollow yet threatening phantom of departed power. They spread a grand, and melancholy, and, to me, an unusual charm over the landscape; I, for the first time, beheld signs of national old age, and empire's decay, and proofs of the transient and perishing glories of art, amidst the ever-springing and reviving fertility of nature.

But, in fact, to me every thing was full of matter; the footsteps of history were every where to be traced; and poetry had breathed over and sanctified the land. I experienced the delightful freshness of feeling of a child, to whom every thing is new. I pictured to myself a set of inhabitants and a mode of life for every habitation that I saw, from the aristocratical mansion, amidst the lordly repose of stately groves and solitary parts, to the straw-thatched cottage, with its scanty garden and its cherished woodbine. I thought I never could be sated with the sweetness and freshness of a country so completely carpeted with verdure; where every air breathed of the balmy pasture, and the honey-suckled hedge. I was continually coming upon some little document of poetry, in the blossomed hawthorn, the daisy, the cowslip, the primrose, or some other simple object that has received a supernatural value from the muse. The first time that I heard the song of the nightingale, I was intoxicated more by the delicious crowd of remembered associations than by the melody of its notes; and I shall never forget the thrill of ecstasy with which I first saw the lark rise, almost from beneath my feet, and wing its musical flight up into the morning sky.

In this way I traversed England, a grown-up child, delighted by every object, great and small; and betraying a wondering ignorance, and simple enjoyment, that provoked many a stare and a smile from my wiser and more experienced fellow-travellers. Such too was the odd confusion of associations that kept breaking upon me, as I first approached London. One of my earliest wishes had been to see this great metropolis. I had read so much about it in the earliest books that had been put into my infant hands; and I had heard so much about it from those around me who had come from the"old countries."I was familiar with the names of its streets, and squares, and public places, before I knew those of my native city. It was, to me, the great centre of the world, round which every thing seemed to revolve. I recollect contemplating so wistfully, when a boy, a paltry little print of the Thames, and London Bridge, and St. Paul's, that was in front of an old magazine; and a picture of Kensington Gardens, with gentlemen in three-cornered hats and broad skirts, and ladies in hoops and lappets, that hung up in my bed-room; even the venerable cut of St. John's Gate, that has stood, time out of mind, in front of the Gentleman's Magazine, was not without its charms to me; and I envied the odd-looking little men that appeared to be loitering about its arches.

How then did my heart warm when the towers of We stminster Abbey were pointed out to me, rising above the rich groves of St. James's Park, with a thin blue haze about their gray pinnacles! I could not behold this great mausoleum of what is most illustrious in our paternal history, without feeling my enthusiasm in a glow. With what eagerness did I explore every part of the metropolis! I was not content with those matters which occupy the dignified research of the learned traveller; I delighted to call up all the feelings of childhood, and to seek after those objects which had been the wonders of my infancy. London Bridge, so famous in nursery songs; the far-famed Monument; Gog and Magog, and the Lions in the Tower, all brought back many a recollection of infantile delight, and of good old beings, now no more, who had gossiped about them to my wondering ear. Nor was it without a recurrence of childish interest, that I first peeped into Mr. Newberry's shop, in St. Paul's Church-yard, that fountain-head of literature. Mr. Newberry was the first that ever filled my infant mind with the idea of a great and good man. He published all the picture-books of the day; and, out of his abundant love for children, he charged"nothing for either paper or print, and only a penny-halfpenny for the binding!"

I have mentioned these circumstances, worthy reader, to show you the whimsical crowd of associations that are apt to beset my mind on mingling among English scenes. I hope they may, in some measure, plead my apology, should I be found harping upon stale and trivial themes, or indulging an over-fondness for any thing antique and obsolete. I know it is the humour, not to say cant of the day, to run riot about old times, old books, old customs, and old buildings; with myself, however, as far as I have caught the contagion, the feeling is genuine. To a man from a young country, all old things are in a manner new; and he may surely be excused in being a little curious about antiquities, whose native land, unfortunately, cannot boast of a single ruin.

Having been brought up, also, in the comparative simplicity of a republic, I am apt to be struck with even the ordinary circumstances incident to an Aristocratical state of society. If, however, I should at any time amuse myself by pointing out some of the eccentricities, and some of the poetical characteristics of the latter, I would not be understood as pretending to decide upon its political merits. My only aim is to paint characters and manners. I am no politician. The more I have considered the study of politics, the more I have found it full of perplexity; and I have contented myself, as I have in my religion, with the faith in which I was brought up, regulating my own conduct by its precepts; but leaving to abler heads the task of making converts.

I shall continue on, therefore, in the course I have hitherto pursued; looking at things poetically, rather than politically; describing them as they are, rather than pretending to point out how they should be; and endeavouring to see the world in as pleasant a light as circumstances will permit.

I have always had an opinion that much good might be done by keeping mankind in good-humour with one another. I may be wrong in my philosophy, but I shall continue to practise it until convinced of its fallacy. When I discover the world to be all that it has been represented by sneering cynics and whining poets, I will turn to and abuse it also; in the meanwhile, worthy reader, I hope you will not think lightly of me, because I cannot believe this to be so very bad a world as it is represented.

Thine truly,

GEOFFREY CRAYON.

THE HALL.

The ancient house, and the best for housekeeping in this county or

the next; and though the master of it write but squire, I know no

lord like him.

— Merry Beggars.

The reader, if he has perused the volumes of the Sketch-Book, will probably recollect something of the Bracebridge family, with which I once passed a Christmas. I am now on another visit to the Hall, having been invited to a wedding which is shortly to take place. The Squire's second son, Guy, a fine, spirited young captain in the army, is about to be married to his father's ward, the fair Julia Templeton. A gathering of relations and friends has already commenced, to celebrate the joyful occasion; for the old gentleman is an enemy to quiet, private weddings."The re is nothing,"he says,"like launching a young couple gayly, and cheering them from the shore; a good outset is half the voyage."

Before proceeding any farther, I would beg that the Squire might not be confounded with that class of hard-riding, foxhunting gentlemen so often described, and, in fact, so nearly extinct in England. I use this rural title partly because it is his universal appellation throughout the neighbourhood, and partly because it saves me the frequent repetition of his name, which is one of those rough old English names at which Frenchmen exclaim in despair.

The Squire is, in fact, a lingering specimen of the old English country gentleman; rusticated a little by living almost entirely on his estate, and something of a humourist, as Englishmen are apt to become when they have an opportunity of living in their own way. I like his hobby passing well, however, which is, a bigoted devotion to old English manners and customs; it jumps a little with my own humor, having as yet a lively and unsated curiosity about the ancient and genuine characteristics of my"father land."

The re are some traits about the Squire's family, also, which appear to me to be national. It is one of those old aristocratical families, which, I believe, are peculiar to England, and scarcely understood in other countries; that is to say, families of the ancient gentry, who, though destitute of titled rank, maintain a high ancestral pride; who look down upon all nobility of recent creation, and would consider it a sacrifice of dignity to merge the venerable name of their house in a modern title.

This feeling is very much fostered by the importance which they enjoy on their hereditary domains. The family mansion is an old manor-house, standing in a retired and beautiful part of Yorkshire. Its inhabitants have been always regarded, through the surrounding country, as"the great ones of the earth;"and the little village near the Hall looks up to the Squire with almost feudal homage. An old manor-house, and an old family of this kind, are rarely to be met with at the present day; and it is probably the peculiar humour of the Squire that has retained this secluded specimen of English housekeeping in something like the genuine old style.

I am again quartered in the panelled chamber, in the antique wing of the house. The prospect from the window, however, has quite a different aspect from that which it wore on my winter visit. Though early in the month of April, yet a few warm, sunshiny days have drawn forth the beauties of the spring, which, I think, are always most captivating on their first opening. The parterres of the old-fashioned garden are gay with flowers; and the gardener has brought out his exotics, and placed them along the stone balustrades. The trees are clothed with green buds and tender leaves. When I throw open my jingling casement, I smell the odour of mignonette, and hear the hum of the bees from the flowers against the sunny wall, with the varied song of the throstle, and the cheerful notes of the tuneful little wren.